Big, bare breast with a cherry on top


(Photo by Henry Chan)

I don’t have a picture of the Milk Truck, which is a shame, because it’s really very sweet, like an ice cream truck, with pink, blue, and white stripes, and a large, bare breast on the roof, with a pink nipple like a cherry on top. It is the project of Jill Miller, from Pittsburgh, and was hands down the main attraction of the event, parked as it was on Bloor Street, right outside the gallery.

Jill is the woman (above centre) in the yellow coat, and she gave a great and funny lecture on her experiences leading up to the creation of the Milk Truck. She began by admitting that, growing up, her first two crushes were for comedians, Steve Martin, and Jack Ritter from Three’s Company. She said her father was this silly, crazy, funny guy, who was really charismatic, but failed to provide financial support. So Miller drew a connection between humour and sadness early on in life. “Humour,” she said, “acts as a shield to protect us from what we are afraid to confront.”

She described a previous performance piece of hers that explored the connection between police surveillance and the paparazzi. Miller trained with a detective, then did police surveillance on art collectors in the San Francisco Bay area. The evidence was presented as material gathered in an investigation, and exhibited in a woman’s apartment.

One thing she discovered: being a mother was the best undercover disguise. Because they are everywhere and unthreatening and often invisible – have nothing anyone wants.

Miller exploited her cover of ‘being a mom’. She was safe with a baby. Someone sitting in a car and observing a house is always a threat, except if you have a baby, ie. sleeping in the back seat. It makes your presence there legitimate.

However, that invisibility as a mother is jeopardized only, it seems, when you choose to breastfeed in public.

Miller talked about how curiosity is central to her practice, and how Western society is fearful of curiosity, especially female curiosity, as in the Biblical Eve story. Her curiosity is what severs man’s relationship to God. “But,” Miller asked, “what is so wrong about wanting to have a little bit of knowledge?”

The Milk Truck represents Miller’s first time making art consciously as a mother.

She had her first child in San Francisco and her second in Pittsburgh, and those two experiences could not have been more different. With regards to breastfeeding in public, she started hearing stories from women in Pittsburgh about being asked to leave shopping malls, go to the toilet etc. She decided to do a survey and the results suggested there was a definite need to challenge attitudes.

Allan Kaprow (another crush of Miller’s later in life) once said: “The line between art and life should be kept as fluid, and perhaps indistinct, as possible.”

After her own experience of being asked to cover up – in a clinic, no less – while breastfeeding her baby who was suffering from dehydration, she decided to answer this political call to arms by creating the Milk Truck – a public service action, and a mobile response unit for women experiencing discomfort exercising their right to breastfeed in pubic. The truck arrives and immediately the woman is offered support in the form of company and comfortable surroundings. (The truck has a roll-out carpet and comfy chairs.)

Miller said lactivists and the art community have both come together to support this art project – money for which she raised on Kickstarter. Miller raised more money than she needed, and now has room on the truck for advertisers.

She is ready to move on to another art project now, but the demand for the Milk Truck continues, so she is slowly handing it over to a board who will continue to use it and provide the service as a non-profit.

“The mother is political, like the personal is political,” she said. The Milk Truck provides a non-vital social service. “We fill the gap in society where our government wouldn’t provide for us, or businesses.”

Miller is pointing at the gap and bringing people together from the community to provide a solution, not just complaining about it. “I want to do this as a parent,” she said. Parenting forces you to think about small moments and the small actions you can take. “We don’t have to tackle the larger problems,” Miller said. “There is value in dealing with little tiny pockets of issues, that can even, moment from moment, make our lives better.”

If you’re Jill Miller, your small action might be to mount an enormous breast on the top of a delivery truck and drive it across the border. Did she have anything to declare? I’m just glad they let her through customs.


(Photo by Henry Chan)


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May 7, 2012 · 3:17 am

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